We Had a World review – a playwright torn between his warring mother and grandmother
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‘Impossible, exhausting, horrifying’: how a chilling supernatural play explains the terror of life in Iran
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Equus review – desire and desperation in Peter Shaffer’s tale of sex, gods and horses
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‘Infinite pleasure’: the strip club drama that leaves you horny, vulnerable – and dialling your parents
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I Saw Satan at the 7-Eleven review – gross, gruesome and sometimes sweet road trip with the devil
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‘It was a warning from history – now it’s the bloody muse!’ Mark Gatiss and Placebo on reviving Brecht’s brutal Hitler satire
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Welcome to Pemfort review – shattering study of living history and the past you can’t shake off
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America the Beautiful: Chapter 1 review – Neil LaBute’s sour state of the union address
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Ritual review – eight-hour immersive performance is ambitious but under-resourced
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Shenoah Allen: Bloodlust Summertime review – guns and slaughter as ‘the devil’s son’ strives to know himself
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The Shitheads review – primal urges rear up in a playful, prehistoric oddity
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How scary can theatre really be? My horror marathon in search of stage frights
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The Lost Boys get loose: Jack Holden on rebooting Peter Pan and The Line of Beauty
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‘Casually jaw-dropping’: at an Edinburgh fringe of tricks and treats, Ben Hart has the magic touch
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Creepy Boys: Slugs review – howling existential rave through modern life’s mayhem
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