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Prominent Australian academic denies links to powerful Iranian politician Genesis Owusu: Redstar Wu & the Worldwide Scourge review – political fury and propulsive fun The rent is too damn high: how renters’ rights could be key issue in US midterms Labor’s budget will benefit the young – but does little to woo voters drawn to One Nation A-League grand final key to Melbourne City’s treble but Wellington are out to spoil party Please stop making music biopics. We need a break from this tired genre that is essentially expensive karaoke NDIS cuts could leave some participants with a funding gap. How will the changes affect you? Stephen Colbert on Trump tanking the US economy: ‘Experts call it the poop chute’ Letter: Michael Pennington obituary Met chief says British Jews ‘not safe’ in London after series of attacks Jaguar Land Rover annual profit falls 99% after US tariffs and cyber-attack take toll A beginner’s bike commuting gear guide: what to buy (and skip) before your first ride ‘It’s like stealing’: Palestinian family’s seized property listed on Booking.com Martinů: The Symphonies 1-6 album review – Hrůša is a very persuasive guide to this distinctive and likable cycle Wobble boards, Duplo and screen-free stories: the top toys and gifts for three-year-olds How the Kinetic Foundation helped launch McFarlane’s rise at Chelsea Seascraper by Benjamin Wood audiobook review – a shore thing Samson et Dalila review – their two voices combine as if made to measure ‘The cinema is romanticised on TikTok’: Gen Z on why they love going to the movies Is God Is review – fiery revenge thriller flies from stage to screen

Profile/flora willson News

Eight hours, 250 singers… and as many bananas as it takes: Tavener’s Veil of the Temple

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Eight hours, 250 singers… and as many bananas as it takes: Tavener’s Veil of the Temple

Recital for a World Gone to Sh*t review – full-throttle fury meets beautiful, blistering verse

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Recital for a World Gone to Sh*t review – full-throttle fury meets beautiful, blistering verse

The Merry Widow review – come for the big tunes, stay for the birthday cement mixer

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The Merry Widow review – come for the big tunes, stay for the birthday cement mixer

A Visit to Friends/The Gildas Quartet review – Colin Matthews’s luminous new opera opens Aldeburgh in fine style

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A Visit to Friends/The Gildas Quartet review – Colin Matthews’s luminous new opera opens Aldeburgh in fine style

New Music Biennial review – sitars, thorax-quaking bass and vibrators

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New Music Biennial review – sitars, thorax-quaking bass and vibrators

Cassie Kinoshi x Ensemble intercontemporain review – vivid and anarchic, new music programme full of thrills

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Cassie Kinoshi x Ensemble intercontemporain review – vivid and anarchic, new music programme full of thrills

Simon Boccanegra review – Opera North’s staging of Verdi’s knotty score is a brooding triumph

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Simon Boccanegra review – Opera North’s staging of Verdi’s knotty score is a brooding triumph

Giulio Cesare review – concert staging with plenty of sublime, and ridiculous, moments

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Giulio Cesare review – concert staging with plenty of sublime, and ridiculous, moments

Carducci Quartet review – terror and tumult as Shostakovich focus widens

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Carducci Quartet review – terror and tumult as Shostakovich focus widens

LPO/Gardner review – no recording could match the visceral thrill of Mahler’s Eighth Symphony live

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LPO/Gardner review – no recording could match the visceral thrill of Mahler’s Eighth Symphony live

Lang Lang review – captivating, astonishing and disorientating

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Lang Lang review – captivating, astonishing and disorientating

BCMG/Yamada review – flutter tonguing, fragrant dissonances and frogs

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BCMG/Yamada review – flutter tonguing, fragrant dissonances and frogs
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