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Orlando review – a confident romp through Handel’s flimsily plotted opera

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Orlando review – a confident romp through Handel’s flimsily plotted opera

Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work

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Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work

Colin Matthews: Seascapes album review – the songs teem with detail

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Colin Matthews: Seascapes album review – the songs teem with detail

125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths

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125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths

Requiem for America review – Brent Michael Davids gives the invisible a voice in his urgent new work

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Requiem for America review – Brent Michael Davids gives the invisible a voice in his urgent new work

Peter Grimes review – beauty and terror in Warner’s topical staging

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Peter Grimes review – beauty and terror in Warner’s topical staging

Tales of Love and Loss review – hauntings, tragicomedy and tweezer-sharp wit in Royal Opera triple bill

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Tales of Love and Loss review – hauntings, tragicomedy and tweezer-sharp wit in Royal Opera triple bill

Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome

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Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome

Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence

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Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence

Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever

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Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever

Magnificent minimalism, sizzling Strauss, bracing Berlioz: Guardian critics’ top picks for Proms 2026

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Magnificent minimalism, sizzling Strauss, bracing Berlioz: Guardian critics’ top picks for Proms 2026

LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold

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LSO/Frang/Pappano review – tragic and thrilling Shostakovich and silky and spiky Korngold

The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story

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The Turn of the Screw review – gripping and unsettling water-logged staging of Britten’s ghost story

The Passion of Mary Magdalene review – Tansy Davies’s score is taut and intriguing

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The Passion of Mary Magdalene review – Tansy Davies’s score is taut and intriguing

Siegfried review – invigorating and mesmerising staging, with Schager outstanding as Wagner’s hero

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Siegfried review – invigorating and mesmerising staging, with Schager outstanding as Wagner’s hero

Monteverdi Choir/English Baroque Soloists/Whelan review – St John Passion of drama and authority

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Monteverdi Choir/English Baroque Soloists/Whelan review – St John Passion of drama and authority

Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown

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Hallé: Huw Watkins album review – Covid-era commissions capture energy and hope after lockdown

Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate

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Lise Davidsen and James Baillieu: Live at the Met album review – electrifying renditions make the momentous intimate

LSO/ Wang/ Peltokoski review – Yuja Wang’s ferocious Rautavaara meets Peltokoski’s passionate Wagner

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LSO/ Wang/ Peltokoski review – Yuja Wang’s ferocious Rautavaara meets Peltokoski’s passionate Wagner

Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia

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Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia
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