Just Biber album review – Podger rises brilliantly to these sonatas’ extreme challenges
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Penarth chamber music festival review – scaled-down Mahler’s Fourth Symphony emerges as if newly minted
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A man of sense and wide sensibilities, Alfred Brendel was simply the pianist of pianists
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The Merry Widow review – come for the big tunes, stay for the birthday cement mixer
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La Mer: French Piano Trios album review – expansive, beguiling and unexpected
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Berlioz and Ravel album review – his orchestra is responsive to Mäkelä’s every move
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Mazeppa review – Tchaikovsky’s blood-thirsty opera is a wild and gruesome ride
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Rodelinda review – powerplay and pig’s blood in thrillingly energised Handel
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A Visit to Friends/The Gildas Quartet review – Colin Matthews’s luminous new opera opens Aldeburgh in fine style
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Keys to success: the 2025 Van Cliburn piano competition, the instrument’s Olympics
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Britten: Sinfonia da Requiem, Winter Words (arr Holloway), etc album review – confirms Gardner’s status as an outstanding conductor of Britten
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The Lost Tapes, Beethoven sonatas 18,27, 28 & 31 album review – Richter always found something fresh to say
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Look north: composer Gavin Higgins on his new song cycle celebrating northerness
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