Runner review – Alan Ritchson and Owen Wilson thriller is serviceable B-movie camp
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Don’t Forget Me review – Eddie Cochran bio-doc boasts top-notch roster of talking heads
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Knightfall review – low-rent gender-flipped Bond knock-off swaps Aston Martins for Minis
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Better Go Mad in the Wild review – boozing, bantering hermits impart their spiritual wisdom
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Oasis: Don’t Look Back in Anger: what we learned from the year’s biggest rockumentary
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The Spiral review – Valeria Bruni Tedeschi is hilarious as a demon cutting a deal with a vain matriarch
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Contemporary Films had a global impact and influenced my career as a director | Letters
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The Pervert’s Guide to Utopias review – Slavoj Žižek goes in search of paradise
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The Last Bath review – self-mortifying nun struggles with profoundly uneasy sexual awakening
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Primetime review – Robert Pattinson’s preening TV host hunts paedophiles but real drama proves harder to target
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Imperium review – Sergei Loznitsa’s archive collage collates everyday life in cold-war Soviet Union
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Okurimono review – a heartbreaking dispatch from survivors of the Nagasaki bomb
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Unidentified Murder review – playful sendup of alien abduction and true crime influencers in Hong Kong
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Rob Reiner wins posthumous Emmy for The Bear, as Widow’s Bay dominates early awards
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‘Sharks are my film stars’: how the Jacques Cousteau of the North Sea finally unlocked its beauty
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Woman Unknown review – postwar paranoia with some deliciously dastardly Du Maurier touches
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Cult of male genius holding female film-makers back, says Woman Unknown director
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