Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war
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Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness
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Reality Bites is a gen X classic where the only real enemies are capitalism and inauthenticity
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Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp
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A Few Feet Away review – Buenos Aires slacker tries to balance app life and real sex in vivid hookup drama
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The Unknown review – Léa Seydoux gets invaded in uncanny and bizarre body-swap horror
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‘The film humanised Russians at a time when Rambo was killing them’: how we made Letter to Brezhnev
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Garance review – Adèle Exarchopoulos gives it her all in ripe but flimsy portrait of alcohol addiction
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Clarissa review – Sophie Okonedo mesmeric as Virginia Woolf’s Mrs Dalloway decamps to Nigeria
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La Gradiva review – stunning coming-of-age story of young love and sexual tension
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Propellor One-Way Night Coach review: John Travolta family plane fantasy is a short-haul joyride
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All of a Sudden review – care home drama is tender, meditative and a little too precious for its own good
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The Testament of Ann Lee to The Bride! The seven best films to watch on TV this week
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Fatherland review – Sandra Hüller brings a bayonet of intelligence to Paweł Pawlikowski’s taut return
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The Christophers review – Ian McKellen and Michaela Coel are the double act of the year
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Life Could Be a Dream review – a powerful, polished Australian film about domestic abuse
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Nagi Notes review – clear, calm light shed on criss-crossed family passions
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