‘I’m carrying rage like a blood-filled egg’: the best of Glasgow International – review
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Behold! Nina Simone’s chewing gum! Inside the show celebrating extreme pop fandom
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Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane
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Lost ‘cloud’ of artist who wrapped the Reichstag to be created in UK gallery
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Nancy Holt review – cosmic thrills as the universe’s hidden power is unleashed
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‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale
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‘We’re attached to this land like a tree is rooted in soil’: unexpectedly timely exhibition speaks up for the people of south Lebanon
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Racheal Crowther review – unnerving installation attacks your mind … and your nostrils!
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Drinks, darts, DJs and drag queens: the artwork that’s a fully-functioning pub – with the artist pulling pints
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Delaine Le Bas review – former Turner nominee delivers witches, warm welcomes – and wallpaper
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The Ode Islands review – a nightmarish head trip unlike anything on the fringe
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Andy Goldsworthy: Fifty Years review – a wild walk between life, death and sheep-shearing
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‘How could you not be body dysmorphic today?’ The twisted selfie sculptures of Christelle Oyiri
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Brisbane to be transformed by ‘explosion of extraordinary colour’ in citywide art takeover
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Save the chicken-wire Mr Darcy! The push to preserve the fantastical works of ‘Wigan’s Gaudi’
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Liverpool Biennial review – AI seagulls, gladiatorial football and big trouble in Chinatown
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Nuclear haystacks and the patron saint of tyre repairs – Od arts festival review
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